"At the Galleria Shopping Mall," Tony Hoagland

Just past the bin of pastel baby socks and underwear,

there are some 49-dollar Chinese-made TVs;

one of them singing news about a far-off war,

one comparing the breast size of an actress from Hollywood

to the breast size of an actress from Bollywood.

And here is my niece Lucinda,

who is nine and a true daughter of Texas,

who has developed the flounce of a pedigreed blonde

and declares that her favorite sport is shopping.

Today is the day she embarks upon her journey,

swinging a credit card like a scythe

through the meadows of golden merchandise.

Today is the day she stops looking at faces,

and starts assessing the labels of purses;

So let it begin. Let her be dipped in the dazzling bounty

and raised and wrung out again and again.

And let us watch.

As the gods in olden stories

turned mortals into laurel trees and crows

to teach them some kind of lesson,

so we were turned into Americans

to learn something about loneliness.

Action List: 3.29.2011

First, some class notes:
1. Reading logs/blogs are due today.
2. Because the recitation "playbook" is due tomorrow for your memorized poem, please bring a hard copy of it to class, formatted the way I showed you in class. An example and instructions are on the class notes page.

Okay, here is our online fun for today. We're going to browse the online edition of Sunday's youth-dedicated edition of the New York Times Magazine. Please add the label "Tuesday Response" to your post for today and all future Tuesday blog assignments.

For today's blog assignment, you need to read and respond to at least two articles. First, follow the prompts for #1, below. After that, choose one of the following two prompts.

1. (Everyone do this one!) Listen to a few of these interviews of high school seniors about where they see themselves ten years from now. Use headphones if you have them, because they have audio.

Write a brief response that discusses your reaction to the interviews you see: Which student in the article do you relate to the most? Which one is the most interesting? Which one seems the most deluded? Then, in a second paragraph, write your own answer to that question: where do you see yourself in ten years?Next, choose one of the following options:

Respond informally, in at least 250 words, with your thoughts about one of the following articles, and incorporating at least two quotes from the article into your response:

2. "A Soccer Phenom Puts the 'I' in Team," an article with videos about a high school specialist in "free-style" soccer. Don't just watch the video--read the article; it's interesting.

3. "Online Poker's Big Winner," about a 21 year-old multi-millionaire online poker player.

"Love Song," Carol Muske-Dukes

Love comes hungry to anyone’s hand.
I found the newborn sparrow next to
the tumbled nest on the grass. Bravely

opening its beak. Cats circled, squirrels.
I tried to set the nest right but the wild
birds had fled. The knot of pin feathers

sat in my hand and spoke. Just because
I’ve raised it by touch, doesn’t mean it
follows. All day it pecks at the tin image of

a faceless bird. It refuses to fly,
though I’ve opened the door. What
sends us to each other? He and I

had a blue landscape, a village street,
some poems, bread on a plate. Love
was a camera in a doorway, love was

a script, a tin bird. Love was faceless,
even when we’d memorized each other’s
lines. Love was hungry, love was faceless,

the sparrow sings, famished, in my hand.

"Late Echo," John Ashbery

Alone with our madness and favorite flower

We see that there really is nothing left to write about.

Or rather, it is necessary to write about the same old things

In the same way, repeating the same things over and over

For love to continue and be gradually different.

Beehives and ants have to be re-examined eternally

And the color of the day put in

Hundreds of times and varied from summer to winter

For it to get slowed down to the pace of an authentic

Saraband and huddle there, alive and resting.

Only then can the chronic inattention

Of our lives drape itself around us, conciliatory

And with one eye on those long tan plush shadows

That speak so deeply into our unprepared knowledge

Of ourselves, the talking engines of our day.

"History of Desire," Tony Hoagland

When you're seventeen, and drunk
on the husky, late-night flavor
of your first girlfriend's voice
along the wires of the telephone

what else to do but steal
your father's El Dorado from the drive,
and cruise out to the park on Driscoll Hill?
Then climb the county water tower

and aerosol her name in spraycan orange
a hundred feet above the town?
Because only the letters of that word,
DORIS, next door to yours,

in yard-high, iridescent script,
are amplified enough to tell the world
who's playing lead guitar
in the rock band of your blood.

You don't consider for a moment
the shock in store for you in 10 A.D.,
a decade after Doris, when,
out for a drive on your visit home,

you take the Smallville Road, look up
and see RON LOVES DORIS
still scorched upon the reservoir.
This is how history catches up—

by holding still until you
bump into yourself.
What makes you blush, and shove
the pedal of the Mustang

almost through the floor
as if you wanted to spray gravel
across the features of the past,
or accelerate into oblivion?

Are you so out of love that you
can't move fast enough away?
But if desire is acceleration,
experience is circular as any

Indianapolis. We keep coming back
to what we are—each time older,
more freaked out, or less afraid.
And you are older now.

You should stop today.
In the name of Doris, stop.

"Wynken, Blynken, and Nod," Eugene Field

Wynken, Blynken, and Nod one night
  Sailed off in a wooden shoe,—
Sailed on a river of crystal light
  Into a sea of dew.
"Where are you going, and what do you wish?"
  The old moon asked the three.
"We have come to fish for the herring-fish
  That live in this beautiful sea;
  Nets of silver and gold have we,"
           Said Wynken,
           Blynken,
           And Nod.

The old moon laughed and sang a song,
  As they rocked in the wooden shoe;
And the wind that sped them all night long
  Ruffled the waves of dew;
The little stars were the herring-fish
  That lived in the beautiful sea.
"Now cast your nets wherever you wish,—
  Never afraid are we!"
  So cried the stars to the fishermen three,
           Wynken,
           Blynken,
           And Nod.

All night long their nets they threw
  To the stars in the twinkling foam,—
Then down from the skies came the wooden shoe,
  Bringing the fishermen home:
'Twas all so pretty a sail, it seemed
  As if it could not be;
And some folk thought 'twas a dream they'd dreamed
  Of sailing that beautiful sea;
  But I shall name you the fishermen three:
           Wynken,
           Blynken,
           And Nod.

Wynken and Blynken are two little eyes,
  And Nod is a little head,
And the wooden shoe that sailed the skies
  Is a wee one's trundle-bed;
So shut your eyes while Mother sings
  Of wonderful sights that be,
And you shall see the beautiful things
  As you rock in the misty sea
  Where the old shoe rocked the fishermen three:—
           Wynken,
           Blynken,
           And Nod.

"For My Daughter," Daivd Ignatow

When I die choose a star
and name it after me
that you may know
I have not abandoned
or forgotten you.
You were such a star to me,
following you through birth
and childhood, my hand
in your hand.

When I die
choose a star and name it
after me so that I may shine
down on you, until you join
me in darkness and silence
together.